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Music composition exercise

I’ve just finished this short choral music, made as an exercise for chord progression and voice leading in four sections: soprano, alto, tenor, bass.

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Two chromatic chord progressions

Two chromatic chord progressions

While most diatonic chord progressions are based on the relations of the roots, some chromatic progressions can be thought as movements of voices. 1. If we have a minor triad in root position, and we move the 1st down and the 5th up by a semitone, then we get a minor triad in 6/3 position, and the root of the new chord is below the old one by a major third. Let`s see an example in D minor. The chords are: Dm, Bbm, F#m, Dm. The semitone movements are repeated 3 times, to get back to Dm, because 3×4 =